Accompanists’ Guild of SA Media Release

Adelaide: Saturday 23 July 2011 for immediate release

 THE 2011 GEOFFREY PARSONS AWARD WINNER ANNOUNCED

Earlier this evening (23 July), the Final of the Accompanists’ Guild of SA’s 26th Geoffrey Parsons Award, named in honour of Australia’s greatest accompanist, took place in Adelaide at the Elder Conservatorium of Music, The University of Adelaide. In keeping with the Guild’s acknowledgement of the professional aspirations of their competitors, the cash-pool is a significant $4,000.

Geoffrey Parsons was an internationally acclaimed Australian accompanist particularly for singers. He regularly accompanied, Elizabeth Schwarzkopf, Victoria de los Angeles, Dame Janet Baker, Olaf Bär, and Barbara Bonney.

The three Finalists competed for a cash pool of $4,000.  They were selected from auditions earlier this week which included a performance of prepared works with their chosen associates, sight reading and a first rehearsal of the set work. Stephen Whittington’s Acid Test for bassoon and piano received its world premiere this evening when each finalist performed it with ASO bassoonist, Mark Gaydon.

The Final was judged by a panel, chaired by the Guild’s Pianist in Residence for the 2011 Accompanists’ Festival, Michael Kieran Harvey. He was joined by leading SA musicians and educators, Carl Crossin OAM and Diana Harris OAM.

As well as performing the set-work with Mark Gaydon, each finalist presented works of their own choice which demanded great technical, interpretative and ensemble skills, including: Schumann’s Fantasiestucke, Chopin’s Introduction and Polonaise Brilliant and Muczynski’s Time Pieces. In announcing the winners Chairman of the Jury, Michael Kieran Harvey said,

“This evening we saw three wonderful keyboard collaborators, loving what they’re doing and believing that what they’re doing is something important to forge a career in. Choosing the winner wasn’t easy as the standard was of such an incredibly high standard.”

The 2011 winners were:

• FIRST PRIZE ($3,000) Szu Yu Chen (Roseville, NSW)

• SECOND PRIZE ($600) Michael Ierace (Kidman Park, SA)

• THIRD PRIZE ($400) Coady Green (London, UK)

2011 Geoffrey Parsons Award Prizewinner, Szu Yu Chen performed Shostakovich Sonata for Cello and Piano and Rachmaninoff’s virtuosic, Sonata in G minor for Piano and Cello with ASO Principal Cellist and founding cellist of the

Australian String Quartet, Janis Laurs. Szu Yu Chen is currently studying at the Sydney Conservatorium of Music as a postgraduate accompaniment student with scholarship learning from David Miller and Gerard Willems. She earned her Bachelor of Fine Arts from Taipei National University and completed Masters in Piano Performance at Peabody Conservatory, John Hopkins University.

ENDS

www.accompanist.org.au

The 2011 Festival of Accompanists is proudly supported by: Arts SA, The University of Adelaide, Recitals Australia, State Opera of SA, Music Teachers’ Association of SA, Suzuki Music SA, AUSTA, Allegro Music and Allans Billy Hyde

Chris Wainwright

cmwain@gmail.com

This media release can be downloaded here

 

Accompanists’ Guild of SA Inc Media Release

Adelaide: Wednesday 20 July 2011 for immediate release

THE GEOFFREY PARSONS AWARD 2011 FINALISTS ANNOUNCED

The Accompanists’ Guild of SA’s 27 year old competition, The Geoffrey Parsons Award, named in honour of Australia’s legendary vocal accompanist, is the concluding event of the 2011 Festival of Accompanists.

In keeping with the Guild’s acknowledgement of the professional aspirations of their competitors, the cash-pool is a significant $4,000.

On Monday and Tuesday, several pianists competed in the auditions. Three were selected to take part in the Final. All competitors performed works of their own choice with soloist/s of their own choice. They then completed a sight reading test before performing, without rehearsal, the set work.

For this year’s Geoffrey Parsons Award set work Adelaide composer and music critic, Stephen Whittington has composed Acid Test for bassoon and piano. His aim is to test the ensemble skills of the competing pianists. Each competitor will perform Acid Test with Adelaide Symphony Orchestra bassoonist, Mark Gaydon.

Since he took up bassoon at the age of 18, Mark Gaydon has performed as soloist with many Australian orchestras and his awards include Symphony Australia Young Performer of the Year. Mark has studied and taught in the USA and has been guest Principal Bassoonist with the Sydney, New Zealand and Tasmanian Symphony Orchestras. Mark took up the position of Principal Bassoon with the Adelaide Symphony Orchestra in 2003. Mark is also active in the chamber music scene as co-founder of Ensemble Le Monde.

Mark and his colleagues, well-known musicians and educators, Carl Crossin OAM, Director of the Elder Conservatorium and Diana Harris OAM, founder of the Accompanists’ Guild , judged the competitors’ performances in terms of style, technique, presentation and ensemble skills.

Guild Founder and President, Diana Harris remarked, “I am thrilled that the 2011 Geoffrey Parsons Award has attracted the greatest number of applicants in its history. It is equally exciting that the 2011 Festival includes not one world première but two – Fear by Michael Kieran Harvey for Natsuko Yoshimoto and Acid Test , the Geoffrey Parsons Award set work, by Stephen Whittington. What a thrill for the 3 Finalists to be playing this with the best bassoonist in town, Mark Gaydon. It is so right that the Final Jury will be led by one of the most influential musicians in the world of new music, internationally acclaimed pianist, Michael Kieran Harvey.”

The three Finalists performing in the Final on Saturday evening, who will be competing for cash-prizes totalling $4,000, are:

Szu Yu Chen (Roseville, NSW)

  • Coady Green (London ex-pat Adelaide)
  • Michael Ierace (Kidman Park, SA)
  • The Jury for the Final of the Geoffrey Parsons Award will be chaired by the Guild’s pianist in residence for the 2011 Festival of Accompanists, Michael Kieran Harvey. He will be joined by Carl Crossin OAM and Diana Harris OAM. The Finalists will perform a 25 to 30 minute recital with their own associate artist(s) as well as including the set work with Mark Gaydon

ENDS

Who, What, When & Where?

WHO & WHAT Accompanists’ Guild of SA in association with the Elder Conservatorium of Music presents

The 2011 Geoffrey Parsons Award

WHEN Saturday July 23, 7.00pm

WHERE Hartley Concert Room, The University of Adelaide, Kintore Avenue, Adelaide

TICKETS $15/$10/$5 Festival and Conference ticket holders free

BOOKINGS No pre-bookings, tickets at the door.

PUBLIC ENQUIRIES Accompanists’ Guild of SA (08) 8431 6030

MEDIA ENQUIRIES Christopher Wainwright 0438 829 728, cmwain@gmail.com

The 2011 Festival of Accompanists is proudly supported by: Arts SA, The University of Adelaide, Recitals Australia, State Opera of SA, Music Teachers’ Association of SA, Suzuki Music SA, AUSTA, Allans Billy Hyde and Allegro Music

www.accompanist.org.au

This Media Release can be downloaded here

 

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There are some fantastic events coming our way this year. Click here for a detailed timetable.

Click below for

AGSA 2011 Program of Events (Printable Listing)

Brochure (Outside)

Brochure (Inside)

Young Accompanists’ Showcase

AGSA’s educational program provides opportunities for students from pre-teens to tertiary to experience the demands & joys of collaborative performance. Directed at between 6 & 8 secondary school pianists annually, YAS teams them up with professional performers who also teach. They rehearse together several times in preparation for performing in a Master Class and 2 public concerts. In 2011 for the first time the second concert is scheduled during the Conference at the Accompanists’ Festival. YAS has already shown many fine young pianists that collaborative playing is not only demanding but extremely satisfying.

The Festival of Accompanists

has been an annual feature of AGSA’s program for most of the 21st Century. As well as prominent local musicians, the Festival has attracted presenters of both national & international acclaim. Visiting Musicians in Residence have been involved in a wide range of activities as well as some wonderful collaborative recitals. They  have included:- Phillip Moll (Germany) who performed with soprano, Yuko Takemichi  and flautist, Elizabeth Koch,  David Miller (Sydney) performed with mezzo, Elizabeth Campbell, Jean-Paul Sevilla (France) with ASO concertmaster, Terence Tam,  Malcolm Martineau (UK) with 4 young SA singers as well as New Zealand  bass, Jonathan Lemalu , Leslie Howard (UK expat Australian) with violinist, Niki Vasilakis and Anthony Legge (UK- Opera Australia) with soprano, Rosalind Martin and tenor, Robert Macfarlane. AGSA’s 2011 Musician in Residence is the distinguished Australian pianist Michael Kieran Harvey. Each musician in residence has chaired the jury in what has become recognized as Australia’s premier prize for accompanists –

The Geoffrey Parsons Award

The Guild has offered a prize for accompanists since 1984. In 1995, following the death of our beloved patron, Australia’s own premier international accompanist, Geoffrey Parsons, the competition was renamed in his honour. Over the years 24 pianists have won the Award. Many now hold positions of influence in the Australian music world. The first winner in 1984 was Bernard Depasquale (now CEO of the AMEB) and the 2000 winner was Leigh Harrold (now one of Australia’s busiest freelance pianists).  Each year participants include a set work in their program to be performed with the Guild soloist. Some wonderful SA musicians have participated in this. In 2011 ASO principal bassoon, Mark Gaydon, will perform with each Parsons’ applicant a newly composed work by South Australian composer, Stephen Whittington.

Michael Kieran Harvey 2011 Musician in Residence

Michael Kieran Harvey studied piano with Alan Jenkins in Canberra, Gordon Watson in Sydney and at the Liszt Academy, Budapest, under the Director, Professor Sándor Falvai. Harvey regularly appears with all Australian Symphony orchestras.   He has especially promoted the works of Australian composers and has premiered important international works. He has performed and recorded most of Messiaen’s works involving piano to high critical acclaim.

His CDs have been released by Move – his own compositions as well as new Australian, Japanese and Mexican works – as well as a disc of early Messiaen and Shostakovitch. Tall Poppies has released   the complete Vine piano music and the Westlake first sonata. World Records has released a C  of American duos with violinist, Miwako Abe.

Michael’s national and international awards include the Grand Prix in the Ivo Pogorelich Piano Competition (Pasadena), the Debussy Medal (Paris), four consecutive Australian “Mo” awards, the Australian government’s Centenary Medal for services to Australian music, and he has been twice nominated for the Helpmann Award. His recordings are regularly nominated in the ARIAS and APRAS.

In 2005 the estate of the late Susan Remington established the Michael Kieran Harvey Scholarship to encourage future directions in keyboard art music.

During the Accompanists’ Festival Michael will emphasise his experiences in collaborative music making including two duo recitals: one with SA soprano, Teresa la Rocca and the second with the Adelaide Symphony Orchestra’s concertmaster, Natsuko Yoshimoto.  Natsuko will join him in a discussion of the Bartok second Sonata at the Saturday Conference.

 

The Accompanists’ Guild of South Australia is proud to support two of the recent Geoffrey Parsons Award winners in their second program of works from the duo piano repertoire.

 

Michael Ierace and Amir Farid

Michael Ierace and Amir Farid

Michael Ierace (2004 Award winner) and Amir Farid (2007 Award winner) first met in Adelaide in 2005 as state representatives and competitors in the MBS National Final of the Young Performer of the Year Award. South Australian, Michael, took out the prize on that occasion and soon after won the premier awards from the Elder Conservatorium — the Elder Overseas Scholarship and the David Galliver Award.

Victorian, Amir won significant awards including the Piano Trio prize at the 2005 Australian Chamber Music Competition with the Benaud Trio ( now a successful chamber ensemble with its own national subscription series) , as an accompanist, for best pianist at the 2006 Mietta Song Recital and, as a soloist, winning the 2006 Australian National Piano Award.

Michael and Amir took up post graduate positions at the Royal College of Music in London. By coincidence they both studied with the same teacher, Professor Andrew Ball. Their musical partnership arose as a result of their RCM studies – as Amir said…

I guess it was an ideal situation to be in to form a duo —two Aussie pianist friends studying at the same institution with the same teacher with a duo piano subject on offer for credit towards our postgraduate course.  Why not? Michael agreed – being an avid chamber musician he commented that he hadn’t ……. done much duo work and most of the rep is great stuff!

Australia’s newest virtuoso piano duo performed their first recital in July 2009 in Adelaide. The second recital was prepared for 2010 in Melbourne (July 25) and Adelaide (August 24). The program includes Mozart’s Two Piano Sonata, the Brahms Haydn Variations and Rachmaninoff’s Second Suite.

The Full Media Kit can be downloaded here